Frequently Asked Questions
Authors
Yes. Over the years, I have worked with writers at very different stages of their journey: first-time writers, emerging professionals, and well-established industry figures. The method remains the same: identifying the heart of the story, the intention behind it, and building a clear, concrete development process. I have worked on a wide range of film and television projects, from independent, low-budget works to high-end commissioned productions. I can support you step by step in developing a synopsis, treatment, concept, screenplay, or pitch deck.
Yes. As part of my work, I also handle project presentations to clients, broadcasters, co-producers, and creative partners, both in Italy and abroad. I can help you build an effective and consistent pitch or dossier, and solid editorial materials (logline, synopsis, letters of intent, etc.) suited for calls, markets, festivals, or one-to-one presentations.
Analyzing and developing projects is the ABC of my profession. I provide detailed analyses of structure, characters, themes, and tone with targeted improvement suggestions. The goal is to strengthen your project and offer development tools.
For fairness and mutual protection, I do not forward projects I haven’t worked on directly or from authors I haven’t already collaborated with. Any recommendation always stems from an established working relationship.
Companies
Yes. For years, I’ve scouted concepts, IPs, and talents in schools (Renoir Cinema Academy, Holden School, Carlo Mazzacurati Film School) and industry events like Milano Pitch and Netpitch. I can help you find authors, existing works (books, podcasts, graphic novels), or develop concepts tailored to your market position or a specific brief.
Yes. I can provide an independent, impartial, and constructive read of materials (subject, treatment, script, dossier, etc.) with in-depth narrative analysis and suggestions to consolidate internal consistency and production potential.
Absolutely. I support creative and production teams throughout the lifecycle of a project: from the first idea to pitching, from writers’ rooms to post-production, helping prepare materials, coordinating teams, and supporting producers and creatives.
Yes. I can assist in crafting an effective and consistent pitch or dossier, as well as editorial materials (logline, synopsis, letters of intent, etc.) suitable for calls (MiC, Regional Funds, MEDIA), markets, festivals, or direct meetings.
Educational and Cultural Institutions
Yes. I have been working in scouting and training for several years, engaging with leading institutions including Accademia del Cinema Renoir, Scuola di Cinema Carlo Mazzacurati, Sapienza University of Rome, and taking part in industry events such as Milano Pitch and Netpitch. I can design and lead training sessions on writing, story editing, creative development, and editorial roles, combining theory, practical exercises, and case study analysis.
Yes. I can assist with planning and carrying out workshops, talks, orientation programs, and networking events focused on storytelling and editorial development.
Tell me about your project.